The following summary highlights some of her major projects during MFA studies and after graduation:
- The Goddess: Completed in 12 months and four distinctive stages, “Goddess” is the title of her first overseas sculpting experience. The ever-more minimalist progress of this work started with the Goddess losing its thick cotton scarf and detailed structure to an ax-chopped brown box wearing nearly no scarf in its second stage of evolution. The third stage contained none of the structural elements of the past, as the resurrected Goddess was transformed into a white, round barrel filled with crystal clear water, just so that it could be tipped over to pour out its mud and dirt onto the floor in its fourth and final stage of evolution.
- The Rain: This project was the result of her research in 2004 on the significance of rainfall in two major ancient religions originating in the Middle East: Islam and Zoroastrianism. The cultural significance and symbolic vs. actual value of rain in a precipitation-deprived dry land were also interesting to explore while considering the devastating effects of climate change.
- The Sound of Silence of Sound: In 2010, she started researching the effects of mathematics on art and became extremely interested in the Theory of Chaos. Her first work appeared under “Sound of Silence of Sound.” In this project, she implemented Morphism in Algebra and ASCII code to find the shape and timetable of work movement. The “Sound of Silence of Sound” project was presented in the Farvahar Gallery as part of a group show.
- The Unjust Nemesis: In 2012, she attended Manzoumeh Kherad Institute’s Exhibition on Air Pollution, The Monoxide Project. She entered the exhibition with her work, “The Unjust Nemesis,” an interactive video presentation project portraying the sad reality of environmental pollution.