Shirin HajiKarimloo – Page 28 – Shaping Spaces, Sculpting Stories

2010 – The Sound of Silence of Sound

This installation is the progression of her “Touch – 2005” project in which she used magnets and timers to control the m

She presented three of her works to “The Memorial of The Victims of Soviet Occupation,” an international design competitio

This work was made from two suspended blocks of timber that moved against each other in horizontal directions using electrical

Inspiration The Landscape installation is the result of her interest in changing the scales and outdoors to something touchabl

She loves to gaze at the sky almost every day because the different colors and different shapes of clouds have always astonish

Completed in 12 months and four distinctive stages, Goddess is the title of her very first overseas sculpting experience. This

This work, in combination with the Goddess (i-ii-iii-iv) installations, formed the core ideas behind her MFA Critical Studies

"Beheaded Woman," "Behind The Wall," and "The Untitled" were exhibited, showcasing her evolving, thought-provoking art.

Drama in Form Expression In her opinion, colors represent the constant struggle of the inner child with its outer environment,

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